White City Studies

 

In November 2019, Salon Mlle Mars in Brooklyn presented the works of Rebecca Chamberlain and Yasaman Esmaili, of Studio Chahar. 

Rebecca Chamberlain is a painter whose work focuses on the essential human need for physical safety and spiritual refuge. She explores the role of modernist architecture and interiors as a key tactic of human invention for this purpose. Her current work focuses on The White City, in Tel Aviv. In the 1930’s, upon the closure of the Bauhaus, a disproportionate amount of architects arrived in exile in Tel Aviv and established practices. This neighborhood, with all its inherent controversy, remains the largest physical archive of “Bauhaus” architecture in the world.

 

White City, Iris ‘Thermometer’, A Berger & I Mendelbaum
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Purple Rubinsky House, Kranowski & Marcusfield, 1935
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Blue Private Home, Averbuch,1934
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 

White City, Green Hovevei Zion Street, Hutt,1935
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 

White City, Jade Public Housing/ Private home, Hutt, 1935
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Yellow Anonymous Public Housing/Private Home
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Saffron Lord Melchett St, Anonymous
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 

White City, Coral Balfour Public School, built 1935
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 

White City, Red/Orange Cinema, Magidovitch, 1938-39
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Red Dizengoff Circle, Genia Averbouch,1937
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

 
 
 

White City, Rose Worker’s Housing, Sharon 1935
Lithography ink on Yupo paper, 7.5 x 6 inches, 2019

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Homatorium (ongoing)